My paintings map my inner world. My process seeks to open the locked door of the unconscious through methods suggested by Surrealism. I use a square format that negates hierarchical narrative composition, whether top-to-bottom or left-to-right. As I work, I frequently rotate the canvas in order to disorient the view, helping new directions emerge and facilitating my stream of consciousness approach. Color is used to reconstruct different moods and to connect to fragmentary, cryptic narratives. My goal is to create "nowhere" spaces with an absence of horizon lines and populated by what psychoanalyst Carl Jung referred to as archetypal imagery such as flying and floating contraptions, rocks and snakes. The mark varies from heavy and textural to a light touch befitting the content of the piece. My intention is to engage by slipping away, leaving gaps for viewers to fill as a springboard for their own imaginations.